Showing posts with label vertical geography. Show all posts
Showing posts with label vertical geography. Show all posts

Sunday, October 24, 2010

In Arcadia


To complete my posts about pastoral landscapes, I once dreamt about the mythological / utopian Arcadia. The sketch above depicts a water-terrace arrangement on the slope of Mount Helicon, which the dream situated there. I have written more extensively about the dream here.

" /.../ at the vast terraced slopes of Mount Helicon (as I´ve seen it depicted in alchemical illustrations) with a bewildered look of concentration on his face, while the well-springs of the rock´s inspirational muses were bubbling and forming huge dandelion-like water globes behind him."
/NN

Saturday, October 9, 2010

The coastal life of tomorrow

In the future, when the sea level has become prone to changing back and forth by tens of meters within just a few hours, the most convenient way to move along the coast – or indeed live by it – will be by kayak. The only situation bound to cause some confusion, is when you have stayed the night on a very narrow shelf in a vertical rock wall. You may wake up to find the sea surface has dropped by several meters, and the kayak, tied by its handle, is hanging straight down the granite wall.

/ IÖ, 9.9.10

Friday, May 7, 2010

Vertical Geography: Afterlife

Dreams of the afterlife, heaven, hell, rebirth, are the most profound dream-experiences I´ve had. Sometimes we wake up in fright when we die, but in some cases we can keep on dreaming to see what comes next. Sometimes we dream of a place we know is the afterlife, or maybe before life.

Some years ago I had a dream I was walking along a river in a neighborhood where I grew up. By the river I met a girl from my school and her parents and sister. It was dark and the company was illuminated by a hovering lamp-post. I asked if they wanted to join me for a walk, but they said: "We can´t speak to you, we are dead." I figured that I had to die too and asked how. They looked at me with strange eyes and said nothing.

I started walking around the neighborhood. I found all the houses deserted and a grey mist was in the air. In one house was a radio I could remember from another dream but I just walked by, to the back of the house. I stood in front of a window through which I could see the backyard. I jumped right through the glass and when I fell into the grass outside I sunk into the ground.
I woke up in the underground, inside a long and damp tunnel made of green cloth.

It was very tight and the only way to move was to crawl. Outside the tunnel I could hear the sound of washing-machines. At the end of the tunnel everything went black and I woke up by the river without any wounds from jumping through the glass.

I walked over to my friend and her family again and told them that I now had seen what the afterlife is like. They looked at me with sad eyes and said: "That´s not the real afterlife" and walked away with the lamp-post hovering above them.

In another dream I found myself standing before a stairway somewhere in space. I could see a light at the the top of the stair and when I got there I could see a 20 meter high statue with its arms pointing straight out the sides. The statue consisted of yellow and red gems. I couldn't´ see the face of the statue because of a strong white light that covered the head. (I was reminded of the dream when I visited the Louvre, walking up the stairway to the Nike-statue). Some nights later I visited space again. This time I saw all the planets and everything in the universe as pieces in a jigsaw-puzzle and god a squirrel looking at it.

Recently a friend of mine died. I didn't dream for a week after I heard about his death. The first dream I had was about him. We were somewhere in the wilderness surrounded by yellow grass. The place was very peaceful and all my emotions were in a strangely perfect balance, faded in a comfortable way. We talked for a while like we had just met yesterday.

But I was curious and told him I was writing about dreams of the afterlife, and asked if he could tell me something about the other side. Right then, someone called him on his cell phone. He answered the call and talked for a while. When he hung up we chatted some more until I asked again. He smiled and told me he had to go but gave me some vague instructions how to write this text.

Are there any ways to prepare oneself to get to the other side while awake?

Are there any common symbols, apart from what we have learned or experienced, in dreams of the afterlife?

What are your dream-experiences of the afterlife?

C D

Tuesday, March 30, 2010

The chimney house

More vertical geography:

I've just moved into a new apartment. I live on the upper floor of a converted house, and my friend SD lives on the ground floor. A chimney runs up one side of the house, and we each have a window which opens into the chimney.


The inside of the chimney is airy and well-lit, and lined with bright books. If SD ever happens to be by the window downstairs, or is looking for books in the chimney, I can attract his attention by waving a shiny pencil, and he will climb up the bookshelves to come and say hello.

Later on, while we're inside another building, there's a frightening episode when deep fissures open up in the ground, and angry vampires hurl human bodies back and forth. But the verticality is less pronounced during this episode, in that I'm not able to see very far into the fissures, and certainly not about to try climbing down them.

Monday, January 11, 2010

On the sea of sound and vision, direction down

This dream displays the Cormorant Council in action, doing some mobilis in mobili dream-geographical thinking/discovery.

Noted dream geographer MF invites a group of people for a tour around the Stockholm archipelago on his yacht. This is all nice, but everybody agrees that we need a specific destination. A woman of the group then invites us all to spend the weekend in her parents´ home in Skåne, should we go there. In order to avoid an embarrassed silence following this more insolent than ridiculous suggestion, I try to joke about it by absurdly agreeing with her. "It´s in the north of Skåne, so it´s really only a few kilometres away from Stockholm." Noone gets the joke, so I begin considering if this absurd geographical assumption is actually true. Instead we enthusiastically decide to go to the Canary Islands.

The navigational chart on board the boat shows the vague outlines of a great sea monster that can be further discerned by connecting some dots on the chart with a blue ink pencil. This is actually how you navigate on this ship. There is no steering-wheel or rudder, just this chart and a pencil to set us going. As I start connecting the dots the sea monster soon appears around us, surprisingly in the form of intensifying sound. As the sound gradually takes the shape of a song or a melody we realize we have arrived at the Canary Islands. Again surprisingly, the Canary Islands are situated beneath us instead of somewhere on the horizontal plane - and to get there we have to climb down a lead line.

The dream to me signals two themes and their possible interrelation.

First, "sound-geography", which could account for synaesthetically percieved journeys or landforms, possibly derived from music or other sonorous structures.

Second, "vertical geography", which could retell hell-visits, rabbit-hole plunging, abyssal exploration and the like.

NN

Tuesday, August 11, 2009

All Harvests Are Unreal

This image was seen in a moment of hypnagogic revery, accompanied by the phrase "all harvests are unreal". It seemed to present itself like an idea for a painting. However, I reproduced it by photoshopping a found landscape painting which conveyed a similar atmosphere. I have as yet no immediate ideas about it and welcome your thoughts and interpretations.

/NN